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FontCreator for Windows - the most popular font editor
This professional font editor supports both quadratic- and cubic-based contours and has several smart features to ensure smooth connections where you need them. The validation features help you locate and fix possible outline issues. FontCreator is a true native font editor, so there is no need to buy or install third-party tools or extensions. Font Overview with Categories. The glyph
Welcome to Font Freak.com, one of the largest and most visited freeware and shareware font sites on the net. Here you can download free fonts - well over 9000 of them - as well as purchasing over 125,000 commercial fonts. You will find thousands of free fonts to download from over 400 different designers. The fonts are sorted alphabetically for easy downloading. The Font Creator Program puts font creation within the grasp of the average PC user, would-be typographers and graphic designers. There are free cursive fonts, calligraphy fonts, cool fonts, graffiti fonts. With this application you can create and edit True Type font files. You can use the modified fonts in Windows 3.11 and higher. Features include the ability to convert (scanned) bitmaps (files) to True Type outlines, thus enabling you to create your own signature, logo and handwriting. In addition, unlimited undo and redo and repeat options are available. The modified fonts can be saved and then used in popular word processing and illustration programs. The enhanced transformation scripts let you create hundreds of additional characters in seconds. Font Creator's improved generation of composites, allows you to automatically generate outlines for more than 2,000 characters. The enhanced validation features enable you to improve the quality of your fonts. Font Creator comes with significant revisions to the manual kerning process, and much more. The editor lets you easily select any installed font, displaying the entire character set complete with descriptions of every letter, number, and special character. Once you've perfected your work of art, a click on the program's toolbar will install your creation.There are plenty of high-quality fonts available online, both free and paid, that can be used in any design project. However, there are times when you need a custom font to really make the design stand out. If that’s the case, you’re probably wondering if there are any tools available that will help you create your own font. Or maybe, you’d just like to try your hand at designing a custom font as a fun side project. No matter what your situation is, the good news is that there are quite a few tools geared towards helping you create a custom font. We’ve rounded up the best of them in this post so without further ado, let’s jump in and check them out. The first tool on the list, Font Lab Studio, is a premium font creation software aimed at professionals that want to create and edit their own typefaces. It works on both Mac and Windows and supports all major font outline formats. Font Forge is an open-source application that can be used on Mac, Windows, and Linux computers. With this program, you can create and edit Post Script, True Type, Open Type, SVG, and bitmap fonts as well as convert fonts from one format to another. It has an advanced set of features that make it suitable for professional font designers and an easy-to-use interface that’s beginner-friendly. You can create and edit high-quality True Type, and Open Type fonts as well as convert scanned vector graphics into glyphs. Fontographer lets you create new fonts from scratch or customize the existing ones. You can modify and design Type 1, True Type, Open Type, Type 3 fonts. Special features include the ability to fine-tune spacing, and kerning Fontographer is available for Windows and Mac systems. Font Struct is a free online tool for designing your own fonts. This tool lets you easily create your own fonts by using geometric shapes. When you’re done, Font Struct then generates True Type fonts, ready to download and use in any application. If you ever wanted to make a font out of your own handwriting, Fontifier is the tool you need. It’s an online app that lets you upload a scanned image of your handwriting and turns it into a True Type handwritten font that you can use in your word processor or graphics program. Bird Font is another free tool for designing your own fonts, and it has advanced features that will satisfy even hard-core font designers. The tool has detailed documentation and allows you to create fonts by drawing on a grid or importing images from other programs. If you rely on your i Pad as your primary design tool, i Font Maker will come in handy. It’s an i Pad app that lets you design your “handmade” typeface in less than 5 minutes using just your fingers. This tool lets you create your own pixel fonts, which are reminiscent of old video games. You can then install the font on your computers and also on your i Pad & i Phone. The tool has a neat gallery where you can other fonts created with the app, or you can immediately dive into the editor and start creating your font. A True Type font editor, this tool lets you edit and modify existing TTF fonts or create new ones from templates. TTFEdit is available for Mac, Windows, and Linux and is free to download. Glyphr is a web-based font design tool that touts itself as being free and easy to use for font design enthusiasts. You can easily design your own font, ligatures, and adjust kerning and tracking. Designing your own font is a great way to add a custom touch to your design project. It’s also a nice way to earn extra income if you discover you have a knack for creating fonts and enjoy doing it. With these tools, you’ll be able to create your own font quickly, so be sure to check them out and give them a try.Below is a list of software that allows you to create and modify a font. Fontlab Studio is a professional font editor for both Windows and Mac OS. It allows you to design typefaces and create or modify fonts and it supports all major outline font formats, including Type1, True Type, Multiple Master and Opent Type. [$649] Font Creator is a shareware True Type font editor for Windows. It has all the features for you to make new fonts, edit existing fonts and you can also use its advanced import features to make your handwriting font or add signatures, logos and symbols to existing fonts. [$79~299] Type Tool is a basic font editor for both Windows and Mac OS. It mainly caters to students, hobby typographers and creative professionals who need to create or customize fonts occasionally. It supports a maximum of 55535 glyphs so you can create a font as large as you like. [$99] Fontographer is a classic font editor for Windows and Mac OS. With Fontographer, you can create new fonts, customizing existing fonts, fine-tune spacing and kerning, fix bad fonts and convert old fonts to new formats etc. [$399] Bit Fonter is a professional bitmap font editor for both Windows and Mac OS. It allows you to create and modify bitmap fonts and convert between bitmap font formats as well as from and to outline font formats, apply special effects to your outline fonts. [$499] Scannahand is an easy-to-use handwriting font maker for Windows. It allows you to make fonts simply with a printer, a scanner and a pen. Making handwriting fonts and signature fonts can’t be easier. It uses smart and simple approach to help you draw new typefaces, modify existing fonts etc. some special features of Glyphs including the combined text and drawing views, the accent cloud view and the automatic creation of Open Type features. [$299] Font Struct is an online font-building tool that lets you create fonts constructed out of geometrical shapes, which are arranged in a grid pattern. Once you’re done building, it will generate high-quality, ready-to-use True Type fonts.We have come a long way since ECDIS was brought into our lives. In the initial days we were just struggling to keep the ENCs updated on ECDIS. Most of us know this drill at the back of hands now. And I have covered quite a few of articles on updating and keeping the ENCs up to date. Even during the third party inspections, the inspectors are now focussing on the ECDIS in detail. As even they consider that the period for amateur questions on the ECDIS is over. One of the area that now require detailing is the passage planning on ECDIS. Well, actually there is nothing different in the passage planning on ECDIS. More or less it is same as what we used to do on paper charts. In this blog we will discuss the 7 elements which once plotted would make the passage plan on ECDIS stand out. The first element that you all may have guessed is the route. And when it comes to choosing the route, there is nothing different from what we do even when were using paper charts. We need to find the information from all the publications available. Here is an article that I had written sometime back on using the publications to find the best route to follow. And once we have all the information, we need to use that to decide the route. The route that we decide must follow all the company requirements and must be in accordance with the industry guidelines. Let us see how to go about creating the route on ECDIS (JRC ECDIS). Then it is just like drawing a route on the paper chart. Just take the cursor on the starting point and keep on clicking wherever you wish to create a waypoint. When doing that, it would be easier to zoom out and choose a little smaller scale to get the idea of where we need to head to. And then you can keep on zooming in and out as and when required while creating the route Once you have created the complete route, you can save the route. The waypoints created by the graphical editor would most likely be upto 3 decimal places. For ease of reference, you may want to change these waypoints to upto one decimal place. For that you can go to Route - table editor and open the recently saved route. For example, you can change the longitude 38 Deg 57.999′ to 39 Degrees. We now need to make sure that the route that we have drawn is not passing through any dangers. But before we do that, we need to set the safety settings on ECDIS according to our draft for the next voyage. I have written a blog on ECDIS safety settings in detail and check that out about more information on ECDIS safety settings. Now to check the route, each ECDIS has a function called “Route check” or “Safety Check”. Go to the Route - Table editor and open the route that you have created for the present voyage. In the editor, enter the value of the cross track error that you wish to have or that your company or master allows. The route check function will check if the route (along with the cross track distance) is not passing through any dangers to navigation. When we have entered the cross track distances for each leg, click on the “Safety Check”. The ECDIS will check the route and display all the errors that user need to check physically for. We need to check these error by going to that area of the passage plan on ECDIS. To do that just select the error and click on Jump. This will take the ECDIS to the area of the passage plan where this error is detected. For example, if the error is about a caution area, check the detail of the caution area. This can be done by right-clicking on the ENC and choosing “S-57/C-Map/ARCS Information” and then clicking on the “caution area” symbol. After assessing the information, Modify the route if required. After checking each error, click on that error and click “disregard”. Here you are with a blog or a product or a charity you believe will change the world, and yet no matter how excited you are about the possibilities, no matter how much faith you have in yourself, you can’t help being worried: influence them. He outlined different principles scientifically proven to influence people, as well as suggestions for how to do it. Robert Cialdini wrote a book called Influence: The Psychology of Persuasion. Since then, it’s become maybe the most important book in the field of marketing. If you haven’t read it, you should, as well as the sequel. Here’s the bad news: Mind control isn’t about magic powers, arcane arts, or even shaving your head and gallivanting around in a wheelchair (although, I’ve been tempted). You might think that’s unethical, but if everything is going well, Will some of them bow out, saying they are too busy right now, and they’ll catch you next time? The truth is it’s about something that makes a lot of people squeamish: . Not because of magical powers of persuasion, but because you’ve thought through everything, and it’s a no-brainer. Sure, but it’s better than never getting started it all. The core of marketing isn’t customer profiling or market segmentation or any of the other complicated nonsense taught in most business schools. If you do it right, it won’t feel like asking at all. Creating a successful marketing campaign is a lot like starting an avalanche. And if you let other people dictate timelines, that’s exactly what will happen. It’s infinitely simpler than that, and it can be encapsulated in one word: Yes. Between their jobs, their family, and their own hobbies and friends, their mind is already stuffed, like a suitcase bulging at the sides. First, you climb up the mountain, and then you find the biggest boulder at the top, and then you sweat and grunt and strain to push the boulder over, and then you sit down and watch happily as the boulder goes crashing into other boulders, eventually bringing the whole side of the mountain down. The first big yes is a pain in the butt to get, but if you get it from the right person, then getting all of the subsequent yeses is easy. You know you’re supposed to give before you get, right? A lot of marketers mistakenly assume it’s a 1:1 ratio. Before you ask for promotion, you should give a promotion. You ask a blogger for a link, and they say, “Yes.” You ask a partner to promote your product, and they say, “Yes.” You ask a customer for a testimonial, and they say, “Yes.” If you get enough yeses, your blog/business/charity succeeds. It’s so simple, and yet so few of us really understand how to do it. Add one more sock, and the whole thing will explode. For example: Of course, a lot of marketers recommend taking the opposite approach. Before you ask for a testimonial, you should do one thing that deserves a testimonial. Smart marketers use a 10:1 ratio, and not just in action, but in say no. To avoid it, they “forget” about things that aren’t very important to them, or if they do think about you, they don’t think very hard. They’re just busy, and you’re probably not very high up the priority list. They tell you to start from the bottom and work your way up because it’s easier. Yes, pushing over a small rock is easier than pushing over a boulder, but the boulder is a lot more likely to cause an avalanche. Yes, it’s a lot of work, but that’s the price of influence. So while it’s more work in the beginning to get top people to help you, it’s actually less work in the long run, and the results are far, far greater. It’s supposed to protect you against getting taken advantage of. Whenever you’re asking for anything, never start by asking for everything upfront. Imagine there are two homeless guys standing on a street corner. You’ve probably heard the expression, “Give them an inch, and they’ll take a mile,” right? The first guy has a normal, run-of-the-mill sign saying, “Spare a few dollars? God bless you.” The second guy, on the other hand, has a much more unusual sign: “Can’t afford to feed my family, and it’s tearing me apart. With a sign like that, you’d take him to the grocery store and buy him $200 worth of groceries. That’s the power of standing for something bigger than yourself. Please help, so I can stop feeling like such an awful Dad.” Which one would you be more likely to help? It makes people Those are the types of things people want to talk about. They feel grateful just for having the chance to help you spread the word. It’s about seeing a vision so beautiful you can’t help but fight to make it real. You want to know what separates a great marketer from a mediocre one? I’m not referring to a lack of conscience, having a gregarious, extroverted personality, or any of the other ways we traditionally look at marketers. No, by shamelessness, I mean this: An unshakable belief that what you are doing is good for the world and the willingness to do to bring it into being. When you believe in your content, you don’t publish it and forget it. You promote it day after day, week after week, month after month, year after year, working tirelessly to spread the message to everyone who needs to hear it, and refusing to rest until they do. When you believe in your product, you don’t balk at sales. Not because you’re greedy or desperate or egotistical, but because you know your product will help them, and so it’s your to get them to buy. When you believe in your charity, you don’t beg for donations. You grab people by the shoulders and look them in the eyes and tell them what you’re doing is changing the world, and it’s time for them to step up and do their part. Your support for the Birdfont project is important. The income from this project is used to fix bugs and implement new features with the aim to provide an excellent font editor for everyone. • Better handling of positioning very small details. • Compare both monochrome and color glyph in the editing view. • Retain view and selected glyph when switching character set in the overview tab. • Use the bottom of a path to position it with the "Y" button (instead of the top), zero means that the shape is on the baseline. It makes to kerning and spacing of your fonts easier. • Many improvements to the underlying engine and plenty of bugfixes in all parts of the program.• Make it possible to import a TTF or OTF glyph even if a Unicode value can't be found for it. • More descriptive fields in TTF fonts (license, designer, URL etc.) • Stylistic alternates (Open Type feature tag: salt) • Small Caps (Open Type feature tag: scmp) • Capitals to Small Caps (Open Type feature tag: c2sc) • Swashes (Open Type feature tag: swsh) • Parse circles, ellipses and lines in SVG files • Autotrace – convert raster images to vector fonts. Deleteing points reduces the number of control points while still keeping the same approximate path. • Spacing classes that copies side bearings and kerning pairs from one glyph to another.This feature makes it easier to create fonts with only upper case characters as well as mono spaced fonts.