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Capture one pro 20 review

04.11.2021 0 Comments

capture one pro 20 review

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Capture One 21 Review - New Features, Pricing, Pros and Cons Explained in Detail

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Capture One LE Review

Shooting in RAW opens up new possibilities for digital photographers. It allows complete control over colour balance, tone and contrast. Because the information in the original RAW file is never altered, it is a also completely non-destructive process. To be able to convert these RAW files into usable images, conversion software is needed. Manufacturers often supply basic tools with their cameras, but these are seldom good enough to exploit the full potential of RAW.

In this review, Gary Wolstenholmetakes a look at Phase One Capture One LE, to see if it's capable of unleashing this potential.

Installation
A trial version is available to download from the Phase One website which is valid for 15 days. A license can then be purchased for €99 (approximately £69) which will allow use with up to two computers and includes one free update. The installation program is contained within a .zip file, simply open this and start the setup program which will guide you through the installation. You may need a separate program to open this file if you are using Windows 2000.

Capture One LE is also available on DVD from photographic retailers such as the ePHOTOzine shop. This way of buying the software means you have a proper printed instruction manual to help guide you through using the software. Whichever way suits you best is entirely subjective, you still end up with the same software and license.

Supported cameras
The following cameras are supported by Capture One LE:
Canon1Ds MKII / 1D MKII / 1D MKII N /1Ds / 1D / 5D / 20D / 10D / 300D /
350D / D60 / D30 / Pro 1 / G6 / G5 / G3 / G2
Konica MinoltaAlpha 7 D / Maxxum 7 D / Dynax 7 D / Alpha 5 D / Maxxum 5 D / Dynax 5 D / A1 / A2
Pentax*istD / *istDs
NikonD2X / D1X / D2Hs / D2H / D1H / D200 / D100 / D70s / D70 / D50
FujiS3 Pro / S2 Pro
OlympusE-1 / E-10 / E-20 / Easeus data recovery wizard keygen machine code / E-500 / C-7070 / C-8080
EpsonR-D1
LeicaDigital Module R for R8 and R9 cameras

New cameras are added periodically, and are included in updates that can be downloaded from Phase One.

Hardware requirements
Capture One LE is available to run on Windows and Macintosh computers. The minimum system requirements for Windows are:
  • Pentium III minimum. Pentium 4 preferred.
  • 512 MB of RAM minimum. 1GB or more preferred
  • Operating system: Windows 2000/XP
  • Ports: FireWire or USB depending on the camera used
and for Macintosh:
  • Mac G3 or later
  • OS X 10.3.8 or higher
  • 512 MB of RAM or more
  • At least 2 GB of free disk space.
Multiple processors are also supported, this is because converting RAW files can be very processor intensive. Having two or more processors can dramatically reduce the amount of time taken to process your images.

In use

RAW workflow consists of three major stages, transferring your images, optimisation of colour, contrast and exposure, and finally processing the batch of images.

Transfer
Capture One LECapture One LE
Capture One LEAbove left - The Phase One Media reader window.

Above - Your files are automatically renamed as they are copied.

Left - Capture One launches and previews are generated as your files are copied.
Inserting your memory card into a card reader, or connecting your camera, launches the Phase One Media Reader. This handy program helps you to prepare, organise and rename your captures.

I found it helps to create a new folder each time I transferred a new set of images as your processed files are stored in a folder called, 'Develops' within this. There is no facility for creating albums, or for organising your images in any other way than this, so careful naming of your capture sessions is imperative.

As your files are copied to your computer, Capture One LE opens and begins generating preview images. I found that previews can take almost twice as long to generate as it does to transfer the files. You can start to adjust the images as it works, which saves a little time.

Optimisation
Optimising your images is split into four tabbed control panels, Capture, White Balance, Exposure and Focus.

Capture
The capture tab reveals an exposure histogram for the image. Luminance is shown by the solid grey area and the red, green and blue lines show exposure information for each colour channel.
In this particular instance the red channel is slightly overexposed, as shown by the vertical line at the right hand side of the graph.
I like to skip back to this when adjusting the exposure and white balance settings, if the image is seriously over or under exposed, it will tell you here in big red letters.
Capture One LE
White balance
capture one pro 20 review When using the white balance control panel you have a few options for achieving correct colour.
The first, and most basic option is to click the magic wand icon near the top. this automatically corrects the colour in a similar way to the auto white balance setting on your camera. It can be useful if you need to run off a quick conversion.
The next option is to use the pipette tool to select a neutral area in your image. The two square windows show the effect selecting a particular area will have on the colour - the first showing current settings and the second showing the result of selecting that area. As a guide, the writing in brackets informs you whether the area you are about to select will cause clipping of any of the colour channels. The writing changes to 'good' if you hover over an area that wont cause clipping. If you cannot find a neutral area in your image, Phase One recommend shooting the scene again with a QP or Gretag Macbeth colour swatch card in the scene. This really isn't a capture one pro 20 review solution unless you are shooting in a studio, so if you're stuck with an image with nothing neutral in it, you have to take your best shot at adjusting the white balance manually.
Manual sliders and a colour wheel are provided for this job, careful adjustment and plenty of practice can yield great results, but this interface may be a little too complicated for novices to RAW workflow.
Capture One LE
Exposure
An exposure histogram dominates the centre of the control panel which includes controls for black, white and mid points as well as a tonal curve control which can be accessed by clicking the tab above the histogram. The curve tool is great for fine tuning the tone of your image, I just wish the histogram was overlaid as it is on the standard levels tab, this would save flicking back and forth between the two after making adjustments.
At the top of the control panel is a drop down menu containing four film simulation modes, standard, high contrast extra shadow, and a linear response option. This offers a quick-fix way of altering the tone of your image. There is also an automatic correction option, signified by the same magic wand icon as with white balance.
The three sliders above the histogram control exposure compensation, contrast, and colour saturation. Capture One LE gives 2.5 stops of positive or negative exposure compensation, although it is very rare that you will use either extreme.
Finally below the histogram are dropper tools to set the lightest and darkest parts of your image. The two square windows perform in a similar way to two found in the white balance control panel, giving you a glimpse of before and after.
This set of controls are very intuitive, and give plenty of scope for getting the best out of your images, if you take the time to learn how.
Capture One LE
Focus
The focus control panel contains settings for sharpening and noise reduction. A preview window shows a magnified crop of your image and can be zoomed between 100% and 570%.
Each time you adjust the settings, the preview updates to show exactly how this will affect the final image.
Sharpening controls take a similar form to those found in Photoshop's unsharp mask tool, with a slider for the amount of sharpening you wish to apply, and a threshold control.
Noise reduction is split between two controls, one for colour noise, and one for pattern noise. For images taken at higher sensitivities, it would be good if the pattern noise suppression tool could be made more aggressive - it has little effect even when set to maximum. The colour noise reduction control is very effective, almost completely killing the horrible multicoloured specks that can occur.
Capture One LE
Batch processing
The final stage of your RAW workflow is processing the images. Capture One LE gives you control over the file format capture one pro 20 review developed version is saved in, bit depth and the colour profile used.
File format options include TIFF and three levels of JPEG compression. I tend to convert to TIFF and use my photo editing software to create Jpeg versions as needed.
16-Bit and 8-Bit colour depth settings can be selected from the next menu. 16-Bit conversion is only available for TIFF files, but will lead to smoother colour graduation if a lot of image editing is done to the file afterwards.
The colour management menu allows you to convert your image to your main ICC profile, your cameras standard profile, a web profile or to greyscale.
Once you are ready to process your image, you can add it to the batch by clicking the red plus symbol, or you can set it processing straight away.
The layout of this control panel is straightforward and easy to use, allowing you to concentrate your efforts on adjusting your images.
Multiple versions of the same image can be processed, each time a new version is saved, an additional version number is added to the file name which helps you to keep track of your files.
Capture One LE
Another feature includes the ability to view two versions of the same file side-by-side with different settings applied to each. This is a great feature for comparing different adjustments, especially if you need to adjust the white balance manually. Also the display can be set to show burnt out areas as areas of flat red colour making the adjustment of exposure and contrast much quicker and easier then using only the histogram for reference.
Capture One LE
Two versions can of the same file can be viewed simultaneously
Capture One LE
Burnt out areas can be highlighted, making adjustment much simpler.

Output comparison
I have used the image to the right to compare the output produced by Capture One LE to that of two other popular RAW conversion solutions, Pixmantec Rawshooter essentials and Adobe Camera RAW.
A Nikon D200 set at ISO1600 with an 85mm f/1.8 lens was used to take the image. Images taken at high ISO sensitivities present a challenge for RAW conversion software. A fine balance between detail and noise needs to be struck in order to produce the best possible image.
Default noise reduction settings were used when processing the images.
100% crops of the areas marked by the yellow squares are shown below for comparison. I chose the different areas to show how each deal with different kinds of detail.
Capture One LE
Find out more about Pimantec Rawshooter Essentials here, and Adobe Camera Raw here

Capture One excels at reproducing fine detail, the crop taken from the singer's chin shows the hair more clearly defined than with Rawshooter Essentials, but is matched by Adobe Camera Raw. Smooth edges are also clearly rendered, the crop taken from the singer's nose is slightly smoother than both the other processing solutions. Noise is also well controlled, giving images a film-like appearance, unlike the harsh regular pattern produced by Adobe camera raw.

Verdict
The output from Capture One LE displays a good balance between detail and noise, fine detail is rendered clearly without harsh, regular patterns, although for some images I would have liked an option for more aggressive noise reduction. Capture one pro 20 review maximum does not seem strong enough for very high sensitivities, or for older cameras that may not produce the smoothest images.

This package is rich with powerful tools and features that will allow photographers who understand the basics of colour correction and management, exposure and tone to produce quality results so long as they take the time to experiment with the tools and learn what suits them best. This program doesn't provide a quick-fix solution for novices or poor technique, but rather a powerful means to extract the very best results from accomplished images.

In summary the positive points of Phase One, Capture One LE are:
Capture One LEQuality of output.
Capture One LEFilm-like appearance of digital noise.
Capture One LELayout of controls.
Capture One LEPhase One Media Reader.
Capture One LEFilm simulation modes.
Capture One LECorrection of images is still possible while the batch processes, which can save time.

The negative points:
Capture One LEThe time it takes to generate previews.
Capture One LEControls may be too advanced for beginners to get to grips with straight away.
Capture One LENo provision for organising your images other than saving them in separate folders.
Capture One LENo histogram in the curves control panel.
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Capture One 21 Pro is a non-destructive image cataloguing and editing program that offers an almost identical set of features to Lightroom Classic. 

It is roughly twice the price of Lightroom, but it’s designed for professional workflows either with tethered studio shooting in ‘sessions’, or for large-scale Lightroom-style image cataloguing, organising and editing. It also has a more powerful layers-based approach to local adjustments, advanced color controls and a raw processing engine which produces smoother, crisper output than Adobe Camera Raw and Lightroom.

Capture One is a desktop application that uses desktop storage, so it’s closest to Lightroom Classic and quite unlike the cloud-based Lightroom CC. It was originally developed and sold by medium format camera maker Phase One, but it’s now been split off into its own company.

Capture One (the company) also makes a range of Style packs, which are the equivalent of Lightroom presets and can be bought separately or as bundles with the software.

Capture One 21 Pro: Specifications

Processor (Mac): Intel Core i3 (4-core recommended)
Processor (Windows): Intel or AMD CPU with 2 cores (4-core recommended)
OS (Mac): macOS 10.13, macOS 10.14, macOS 10.15, macOS 11.0
OS (Windows): Windows 8.1 64-bit, Windows 10 64-bit
RAM: 8GB (16+GB recommended)
Hard disk space: 10GB (SSD recommended)

Capture One 21 Pro: Key features

Capture Capture one pro 20 review offers both a ‘sessions’ based workflow for studio photography, and tethered shooting is its speciality – Capture One has just announced a partnership with Leica to allow tethered shooting with Leica cameras for the first time ever. Sessions are ideal when you need to shoot, select and edit images for a client on a job by job basis.

Capture One can also work as a Lightroom-style cataloguing tool, storing all our images in a centralized catalog with tools for sorting, filtering and rating your images, and the ability to store them in collections and smart collections. Capture One says that searching and browsing is faster than ever in this latest version.

Capture One 21 can ‘reference’ your images in their existing locations, but Mac users may be interested to learn that it can also import them into the catalog itself, so that you get a single big catalog file rather than having your photos spread across your computer – just like Apple’s long-lamented Aperture.

Capture One’s editing tools are non-destructive, just like Lightroom’s, and organised into configurable tabs at the side of the screen. It doesn’t have the multi-module layout of Lightroom Classic, and all your tasks, including image export, take place in a single window, with the option to display the Viewer (for editing), Browser panel or both.

The global adjustment tools are very powerful, and include both RGB and Luminance curves adjustments, high dynamic range controls, advanced selective color editing and, in Capture One 21, a new Dehaze tool.

The local adjustments are especially interesting. Where Lightroom uses ‘pins’ to position adjustments directly on the image, Capture One uses adjustment layers with powerful masking options. Lightroom’s local adjustment tools are a subset of the full range, but Capture One lets you use all adjustments on any adjustment layer. You can even name them to remind yourself what you’ve done.

Other new features in Capture One 21 include support for 8-bit Apple HEIC image files, and new ProStandard Profiles for selected cameras, to give more accurate and consistent colors during adjustments.

Capture One 21 editions

If you go for the Pro version reviewed here, it works out at about twice the price of Lightroom. Lightroom is subscription-only, of course, but you can get a subscription to Capture One 21 too, and its twice the price of the Adobe Photography Plan at $19 per month. Alternatively, you can buy a perpetual license for $299/£299.

However, we always like to point out that ‘perpetual’ licenses don’t include version updates. Sooner or later you’ll need to pay to upgrade to a newer version, so subscriptions (which include updates) do make a lot of sense.

There are other Capture One versions. You can get Sony, Nikon or Fujifilm-specific editions at a much lower price of $199 for a perpetual license or $9 per month.

There are even free Capture One Express for Fujifilm and Sony editions, which are basic cut-down versions of the full software, but still deliver Capture One’s excellent raw processing and output.

Ease of use

You wouldn’t call Capture One 21 beginner-friendly, exactly, but for anyone who already knows their way around an image-editor, it’s perfectly straightforward. Initially, the number of tool tabs, and the number of panels on each, can look daunting, but you quickly remember where the tools you need are located, and there’s a Quick tool tab where you can gather together all your favorite settings.

The interface is very easy to customise, and each tool tabs has a fixed and a scrolling section where panels will expand and contract automatically to fit the screen space, or you can leave them open and scroll the panel up and down.

The local adjustment tools are really slick. The options are similar to those in Lightroom, with a manual brush tool, linear gradient and radial gradient, and there is an auto mask option and ‘luminance masking’ that applies a mask selectively, based on the colors and tones in the image.

What makes the differences is that your adjustments are stored on layers, and you can even rename the layers to remind you what you’ve done and where to find each adjustment.

Capture One is clearly trying to capture (sorry!) a broader audience, too. Capture One 21 has a new Learn button which display a curated set of tutorials.

Quality of results

If you’ve only ever used Adobe Camera Raw or Lightroom for your raw processing, you might be surprised to learn that all raw processors are not the same. Lightroom is good at rendering textures but rather noisy, even in comparison to in-camera JPEGs. Capture One is completely different. Raw images are much smoother and much less noisy, and fine detail is rendered with biting clarity. Lightroom is all right, but Capture One’s raw processing is on a higher level.

There is a new Dehaze tool which is interesting, and it’s not like the one in Lightroom. It has a subtler contrast increasing effect without the increased noise and sometimes over-processed look of the Lightroom tool. It’s different, though not necessarily better.

Capture One doesn’t support quite the same number of cameras and lenses as Lightroom but it’s close, and you can check the Capture One cameras supported online.

There will be some things you can’t do in Capture One that require a regular photo editor like Photoshop or Affinity Photo, or a plug-in. Capture One does not support plug-ins in the same way that Adobe does, but it does offer round-tripping to external editors, which can amount to the same thing. Because the Nik Collection plug-ins also work as standalone programs, you can use them as external editors in Capture One too.

Capture One 21: Verdict

Capture One 21 is fast, efficient and polished. It has tutorials for new users but capture one pro 20 review not aimed at beginners. It is ideal, however, for photographers who already have a little experience and are looking for a step up in control, image quality and workflow.

It’s ideal too for professional photographers working in a studio, and held in high regard as the probably the best tethered shooting tool for pros.

But Capture One is not just for studio photographers – it’s perfect for anyone who shoots raw and wants to get the best possible results from their raw files. This is where Capture One really excels.

Read more:

• Best photo editing software
• Best photo editing laptops
• Best monitors for photographers
• Best external hard drives

Rod is the Group Reviews editor for Digital Camera World and across Future's entire photography portfolio, with decades of experience with cameras of all kinds. Previously he has been technique editor on N-Photo, Head of Testing for the photography division capture one pro 20 review Camera Channel editor on TechRadar. He has been writing about photography technique, photo editing and digital cameras since they first appeared, and before that began his career writing about film photography. He has used and reviewed practically every interchangeable lens camera launched in the past 20 years, from entry-level DSLRs to medium format cameras, together with lenses, tripods, gimbals, light meters, camera bags and more.

Источник: https://www.digitalcameraworld.com/reviews/capture-one-21-pro-review
Everything New In Capture One 20 <div><h2>Lightroom vs. Capture One: Which Photo Editing Platform Should You Use? </h2><div><p>Adobe Lightroom Classic has established itself as the industry standard in image editing and has a loyal following of users. However, Capture One is also massively popular among professional photographers, and for good reason. </p><p> So, if you had to choose, which one would you pick? Let's compare the two programs and see which one comes out as the better choice. </p><h3> Lightroom Classic vs. Capture One: Interface</h3><p> Both programs offer sophisticated photo editing tools and a full range of photo manipulation options. However, users of both agree that Capture One has the edge over Lightroom, as it's more flexible and allows for better customization. </p><p> Capture One offers assignable keyboard shortcuts, which Lightroom does not. You can either reassign the ones that show up by default or set them yourself. <b>capture one pro 20 review</b> </p><p> Capture One also lets you move the elements of its interface around to your liking, while Lightroom doesn't. The latter program lets you rearrange the Develop tools, but that's about the extent of it. </p><p> What really sets Capture One apart from Lightroom is its Layers feature—something that Lightroom users have been requesting for years but have yet to get. </p><p> Capture One lets you add layers and adjust them as needed. And that barely slows down the program, whereas users report that Lightroom gets laggy when you add one too many local adjustments. </p><p> Both interfaces are complex and easy to work with after you get used to them, but Capture One has one too many advantages over Lightroom, so it wins this round. </p><h3> Lightroom Classic vs. Capture One: Support and Learning Curve</h3><p> Getting access to tutorials and having customer support to reach out to is crucial. As already mentioned, both of these programs are complex and take a while to get used to, so it's essential they offer enough help to their users. </p><p> This field is where Lightroom shines. Lightroom is the simpler program of the two, and you can learn how to work with it much faster—especially given how it offers a better support system for when you need assistance. </p><p> Plus, you can find a slew of YouTube videos on pretty much anything Lightroom-related, and there is a Lightroom Classic forum with users who help each other with issues. Apart from support from Lightroom's side, you can also find a ton of third-party guides and tutorials online. </p><p> Since Capture One was initially created to cater to professional photographers, it's a bit more complicated to figure out for the average user. And while Capture One does have a Tutorials page on its site, it just doesn't have as large of a community as Lightroom. </p><p> Sure, the flexible customization options it offers are great after you get used to the program, but until that happens, it's just another complicated program that a new user has to wrap their head around. </p><p> That's why Lightroom takes this round against Capture One. </p><h3> Lightroom Classic vs. Capture One: Third-Party Plugins</h3><p> When it comes to third-party resources, Capture One lags behind. Capture One only started allowing third-party plugins in 2018 and doesn't have that many. So far, some of the plugins it offers are Format, HeliconSoft, JPEGemini, and Prodibi. </p><p> On the other hand, Lightroom has dozens of plugins that benefit its users and expand its capabilities. Just a few of its plugins include The Fader, Nik Collection, and LR/Enfuse. </p><p>Related: Amazing Effects You Can Apply Using Nik Plugins With Photoshop</p><h3> Lightroom Classic vs. Capture One: Export Options</h3><p> Both programs offer export options. Being the simpler program out of the two, Lightroom lets you access export presets much easier than Capture One. </p><p> All you have to do is hit <strong>File > Export</strong> to access the export menu. With the latter program, it's a bit more complicated. </p><p> If one of the premade process recipes on Capture One doesn't suit your exporting needs, creating your own recipe can be a bit complicated for beginners. A plus to the program is that it lets you export several different versions of the same photo (or several photos) at once, in a much easier process when compared to Lightroom. </p><p> However, if you add a few third-party plugins to Lightroom, it quickly catches up to Capture One. Lightroom still has better functionality for export options, so it takes this round. </p><h3> Lightroom Classic vs. Capture One: Speed</h3><p> Importing, exporting, rendering images, and generating previews—Capture One can handle all that better than Lightroom, and usually won't freeze or lag. </p><p> The latter program is a bit more fickle, and you have to be more careful with it, lest you risk it crashing. Because of this, Capture One definitely wins this round. </p><h3> Lightroom Classic vs. Capture One: Pricing</h3><p> Both programs offer subscription pricing. If you wish to test the tools out before committing to a plan, you can do that as well. </p><p> Adobe offers a 14-day free trial for Lightroom, and a $9.99/month subscription after that. You can also purchase a subscription for Adobe's entire suite of Creative Cloud apps, which will cost you $52.99/month. </p><p> You even get the option to test out a Lightroom/Photoshop subscription during your free trial to see how the two mesh. However, if you want the free trial, you'll have to provide an email address and credit card information, so keep that in mind. </p><p> Capture One takes the free trial a step further and offers it for 30 days, and it doesn't even request any credit card information. All it needs is your email address. If you decide to purchase a subscription, you'll have to pay $24/month for the plan that supports all types of cameras. </p><p> When you look at the pricing, Lightroom wins over Capture One, as it's the less expensive of the two. </p><p>Related: Lightroom vs. Photoshop: What Are the Differences?</p><h3> And the Winner Is …</h3><p> Lightroom and Capture One are both excellent image editing programs. When it comes to which one wins over the other, it depends. </p><p> <i>capture one pro 20 review</i> If you're a newbie who's just getting into image editing, perhaps Lightroom would be better for you. It's easier to learn, and whenever you have issues with it, you can turn to various resources for help. It's also not as expensive as Capture One, so if you decide image editing is not for you, it's not that big of a loss of investment. </p><p> Capture One is perfect for people who know what they're doing and how they will use the program. If you're looking to upgrade from Lightroom or already have experience with image editing tools, give the program a go. Given that it was created with professional photographers in mind, you'll find everything you'll <i>capture one pro 20 review</i> to create fantastic edits. </p><p> Don't make a hasty decision, but evaluate what you need the program for, and then choose between Lightroom and Capture One based on what fits your needs best. </p><div><strong>Lightroom Classic vs. Lightroom Creative Cloud: What's the Difference?</strong><p>Lightroom Classic and Lightroom CC have some major differences. Here are some you should be aware of.</p></div><p>Read Next</p><p>ShareTweetEmail</p><strong>About The Author</strong><div><div><img></div><div><strong>Simona Tolcheva (76 Articles Published)</strong><div><p>Simona is a Writer at MakeUseOf, covering various PC-related topics. She has worked as a professional writer for over six years, creating content around IT news and cybersecurity. Writing full-time for her is a dream come true.</p></div>More From Simona Tolcheva</div></div><div><h4>Subscribe to our newsletter</h4><p>Join our newsletter for tech tips, reviews, free ebooks, and exclusive deals!</p><p>Click here <a href=filmora 9.1.2.7 crack - Free Activators subscribe

Источник: https://www.makeuseof.com/lightroom-vs-capture-one/

Explore the
Universe

Capture One is one of many applications on the market that specializes in taking the RAW file* from your camera, and using a variety of adjustment tools, allows you to make non-destructive changes to the image. Either for creative effect or correcting errors at time of capture, for example incorrect exposure.

What sets Capture One apart is its long history of use within the professional sector and its ability for high performance direct-to-computer capture (tethering).

Capture One is also known for its exceptional image quality, with excellent sharpening, noise reduction and color handling capture one pro 20 review shoot RAW? RAW files typically have a greater amount of image “data” then their JPEG counterparts. The benefit to you is to be able to adjust the image after capture, to correct for common mistakes, like under exposure or incorrect white balance. The flexibility of the RAW file also means that creative adjustments (color, local adjustments, contrast and more) can be made with little or no destruction to the image. It’s the best way to get the most from your Sony camera’s amazing image quality.

Capture One & Sony

It’s not uncommon for camera manufacturers to offer some sort of software package in the camera box. Sony and Phase One saw the opportunity to do something different from the usual in-box bundle. Understanding that software is an important part of the digital package a high-quality, highly-capable software bundle that matched the leading-edge technology in the camera was sought and in Capture One, an ideal partner was found.

Sony and Phase One have a unique partnership that began in 2015. Phase One offers two Sony products - Capture One Express (for Sony), a completely free solution - and an economical upgrade to the full professional version of Capture One – Capture One Pro (for Sony).

Capture One Pro’s normal retail value of $299 USD is offered at only $50 USD for Sony camera owners. There is no difference in functionality, except for compatibility with Sony cameras only.

Getting Started with Capture One – Installation and Startup

Capture One Express (for Sony) is a great way to evaluate the application as its free and you can use it for as long as you like. There’s no need to worry about trial periods. Simply download and get started.

Download Capture One Download Here

Capture One is compatible with Mac (OSX 10.11 and 10.12) and Windows (Version 7 and later).

The download also contains the Pro version if you wish to evaluate that as well for a fully functional 30 day trial. To start the trial, just download and run the installer.

When you first start Capture One, the following screen will appear:

Choose Express (for Sony) to start up this product.

Choose Pro (for Sony) to evaluate the Pro version in a 30 day trial.

“Pro” has a greater feature set and allows direct-to-computer tethered Capture with a compatible Sony camera.

To compare Express to Pro see this feature set here.

To confirm that your camera is compatible, check the list here.

Note: to stop using Express at any time and trial or activate the Pro version, go to the following location:

Mac: Go to the Capture One menu capture one pro 20 review choose Licence
PC: Go to the Help menu and choose Licence

Getting Started with Capture One – The Basics

Capture One Express, like many other similar applications (Lightroom and Aperture for example) relies on a database to track the location of your images and know certain things about them, like image adjustments.

This database is automatically created and located in your Pictures folder.

From this point on it’s a simple matter of importing images into the Capture One catalog and enjoying all the possibilities of image management and adjustment.

To help you get started, watch this webinar which takes you through initial setup, import, adjustment and output. (Note: this webinar is a recording so you can't submit questions, but you can skip around in the video if you'd like.)

Further Learning

For further learning, go to Capture One’s learning hub for many tutorials and guides.

For written help, browse to help.phaseone.com:

 

 

Источник: https://alphauniverse.com/stories/getting-started-with-capture-one-for-sony/

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